I was surprised and disappointed to read Marion Umpleby’s review of “Come From Away” at Northern Stage. Her criticism of the piece centered on her contention that the play and its storytelling lacked a degree of conflict and implied that that the audience didn’t care or think critically about what they are watching.
In my opinion (and apparently in the opinion of the audience that literally leapt to their feet for a rousing standing ovation), “Come From Away” took us on an emotional journey (as good drama should), introduced us to characters with unique and complex personalities with whom we could relate, and gave us a front row seat into the conflicts and real-life challenges that were faced not only by the stranded passengers but by the people of Gander.
Only late in the review does Umpleby mention what in my view was the extraordinary talent, direction, costumes and music that characterized this exceptional production.
Finally, I am saddened by the reviewer’s seemingly pessimistic view of society. “Come From Away” was hardly dangerous nor patronizing. It was an uplifting evening of theater and Northern Stage deserved better than this off-the-mark review.